Gordon, Andy and Sean - a complicated tale
From
Celebrity Net Worth comes this cautionary tale of licensing and income:
Imagine Making $2000 A Day From Something You Did 30 Years Ago� That's What Sting Did
It's probably safe to bet that the average person reading this article earns a living by working a job that requires 8-10 hours of effort a day, five days a week, all year round. You might love your job. You may hate your job. You might not care about your job at all. Either way, it's probably another safe bet that your money comes in the form of a paycheck twice a month that somehow always feels too small. There's nothing wrong with this system, but imagine an alternate world where a ton of money magically appears in your bank account every day before you even get out of bed. Sounds amazing right? Well it gets better. Imagine not only did you earn this fortune in the last year, you've earned it every year for the last 30 years and will likely earn the same amount or more for the next several decades. If you want this dream scenario to be reality, there's a simple way to make it happen: All you gotta do is compose one of the most lucratively sampled pop songs in history. This is exactly what Sting did with the hit 1983 song "Every Breath You Take".
A bit more:
Songwriting for "Every Breath You Take" is credited 100% to Sting (credit by his birth name, Gordon Sumner). Sting took all the credit despite the fact that both fellow Police members Stewart Copeland and Andy Summers contributed to the song (drums and guitar riff, respectively). Andy Summers came up with the song's guitar riff after a particularly bitter argument with Sting. Sting eventually conceded and told Andy "go and make it your own". When Andy came back with an early formation of the now-famous guitar lick, the band knew they had a hit on their hands. Unfortunately, Andy Summers never pushed for his share of the song's credit.
And Sean 'Puff Daddy' Combs enters the scene:
In 1997, "Every Breath You Take" received a huge re-boot in popularity when Puff Daddy released his cover tribute to the late rapper Notorious BIG. Puff Daddy's version, "I'll Be Missing You", would go on to win a Grammy and be certified as one of the bestselling singles of all time with more 7 million copies sold worldwide.
Unfortunately for Diddy, no one from Bad Boy Records (Diddy's label) thought to secure Sting's permission to sample the 1983 pop song for the updated 1997 remix. Had Diddy asked permission first, he likely would have been required to hand over 25% of I'll Be Missing You's publishing royalties to Sting. By forgetting to ask permission before the song was released, Sting was able to demand and receive 100% of the remix's publishing royalties.
Here's where it gets really interesting: Think about Puff Daddy's version of the song. Do you hear Sting's voice at all? Nope. Do you hear Steward Copeland's drums? Nope. The only part of the original Police song that Diddy actually sampled turned out to be Andy Summer's guitar riff. And as crazy as it sounds, because Sting is listed as the sole composer, Andy Summers does not receive a dime in royalties from Diddy's smash hit version.
Ouch - more at the site.
Posted by DaveH at January 6, 2014 7:25 PM